{"id":6084,"date":"2023-08-03T17:41:31","date_gmt":"2023-08-03T15:41:31","guid":{"rendered":"https:\/\/commercialaudio.pl\/?p=6084"},"modified":"2023-09-13T23:14:34","modified_gmt":"2023-09-13T21:14:34","slug":"solid-state-logic-b-dyn-611b","status":"publish","type":"post","link":"https:\/\/commercialaudio.pl\/en\/solid-state-logic-b-dyn-611b\/","title":{"rendered":"Solid State Logic B-DYN 611B"},"content":{"rendered":"<h1 style=\"text-align: center;\"><b>Solid State Logic 500 Series B-DYN 611B Module\u00a0<\/b><\/h1>\n<h2 style=\"text-align: center;\">\u00a0<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6089 size-full\" src=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-B-DYN-611B.jpg\" alt=\"Commercial Audio B-Dyn 611B\" width=\"1920\" height=\"1054\" srcset=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-B-DYN-611B.jpg 1920w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-B-DYN-611B-1280x703.jpg 1280w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-B-DYN-611B-980x538.jpg 980w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-B-DYN-611B-480x264.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1920px, 100vw\" \/><\/p>\n<h2>\u00a0<\/h2>\n<h2 style=\"text-align: center;\"><strong>The SSL B-DYN 611B is a compressor with an aggressive character and a unique sound.<\/strong><\/h2>\n<p>The Solid State Logic B-DYN 611B is a dynamics processor taken directly from the legendary SL 4000 B console and housed in the popular 500-series format.<\/p>\n<p><span style=\"font-weight: 400;\">The SL 4000 B console debuted in 1976 and has since been used in such renowned recording studios as Virgin\u2019s Townhouse Studio in London, Le Studio in Montreal, and the Record Plant in Los Angeles.\u00a0 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">It was on the SL 4000 B console that iconic hits such as Phil Collins\u201e \u201dIn the Air Tonight\u201e and Peter Gabriel\u2019s \u201dIntruder\u201d were recorded. In these tracks, you can hear the unique character of the compression applied to the drums and vocals. If you want to give your productions the unique tone and characteristic saturation offered by one of the rarest and most sought-after studio mixing consoles in the world\u2014the SL 4000 B\u2014choose the B-DYN processor.<\/span><\/p>\n<p><strong>Key features:<\/strong><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The unique sound character of the SL 4000 B console's dynamics section<\/span><\/li>\n<li><span style=\"font-weight: 400;\">A design based on <a href=\"https:\/\/commercialaudio.pl\/en\/produkt\/stereo-bus-compressor-ssl-modul-500\/\" target=\"_blank\" rel=\"noopener\">SSL Bus Compressor<\/a><\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Operation in Compressor\/Limiter and Gate\/Expander modes<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">A unique circuit equipped with a Peak sensor that delivers an aggressive sound<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Fixed, stepwise compression ratios of 2:1, 4:1, and 10:1, with an additional \u201eDS\u201d operating mode.\u201d<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Defined release times: DS, .2, .4, .8, 1.6, and the distinctive \u201cAuto\u201d<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Automatic Make-Up Gain<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Sidechain High-Pass Filter<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Stereo Link Mode<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">A new yet classic SSL sound for your productions<\/span><\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6098 size-full\" src=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-SSL-B-DYN-611B.jpg\" alt=\"B-DYN 611B\" width=\"1920\" height=\"1054\" srcset=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-SSL-B-DYN-611B.jpg 1920w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-SSL-B-DYN-611B-1280x703.jpg 1280w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-SSL-B-DYN-611B-980x538.jpg 980w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-SSL-B-DYN-611B-480x264.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1920px, 100vw\" \/><\/p>\n<p><b>Compressor\/Limiter: <\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>RATIO<\/strong> \u2013 Step compression ratios of 2:1, 4:1, 10:1, and \u201eds.\u201d The \u201eds\u201d setting corresponds to a 10:1 compression ratio with an additional sidechain filter. The \u201eout\u201d position bypasses the compression circuit.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>TRESH<\/strong> \u2013 When the signal exceeds the level set by this parameter, the compressor will begin to operate with an efficiency proportional to the Ratio parameter value. Threshold and Ratio also have a direct effect on automatic make-up gain.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>HPF<\/strong> \u2013 The high-pass filter is set to 185 Hz and has a slope of 6 dB\/oct. It is part of the compressor circuit in the sidechain section and helps prevent pumping caused by low frequencies.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>RELEASE \u2013 <\/strong>Defined release parameter values ranging from .2 ms to 1.6 ms, with additional \u201eDS\u201d and \u201eAuto\u201d modes\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>DS<\/strong> \u2013 De-Ess mode changes the attack time from 30 ms to 2 ms.<\/span><\/p>\n<p><b>De-Ess Mode (DS): <\/b><\/p>\n<p><span style=\"font-weight: 400;\">When the compressor\u2019s Ratio and Release parameters are set to \u201eDS,\u201d the B-DYN module is optimized for sibilant reduction (de-essing). De-Ess mode features a 10:1 ratio and an S\/C filter on the input signal, providing wideband compression triggered by sibilants. In \u201eDS\u201d mode, the Release parameter is automatically selected based on the degree of compression and is set to 30 or 50 ms. This is a much faster minimum release time compared to those used in SSL dynamics sections. The attack time has also been shortened to 2 ms, making it slightly faster than that in the dynamics modules <a href=\"https:\/\/www.solidstatelogic.com\/products\/e-series-dynamics-module\" target=\"_blank\" rel=\"noopener\">E-Series.<\/a><\/span><\/p>\n<p><b>Gate\/Expander: <\/b><\/p>\n<p><span style=\"font-weight: 400;\">The Gate\/Expand section of the B-DYN module can operate as a gate with a ratio of 20:1 or as an expander with a ratio of 2:1 when the EXP button is pressed. The attack time is 0.2 ms.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>RANGE<\/strong> \u2013 This parameter allows you to set the maximum gain reduction value at which the Gate\/Expander section will activate.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>THRESH<\/strong> \u2013 Allows you to set the threshold above which the gate\/expander will remain open.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>RELEASE<\/strong> \u2013 Defines how long the signal will be audible after the gate\/expander is triggered<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>EXP<\/strong> \u2013 Switches the gate to expander mode with a gentle curve for precise level control above the trigger point.<\/span><\/p>\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-fe48e5de wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-text-align-center wp-element-button\" href=\"https:\/\/www.solidstatelogic.com\/media\/solid-state-logic-launch-b-dyn-500-series-module\" target=\"_blank\" rel=\"noopener\">Discover the SSL B-DYN 611B<\/a><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Modu\u0142 serii 500 Solid State Logic B-DYN 611B\u00a0 \u00a0 \u00a0 SSL B-DYN 611B to kompresor o agresywnym charakterze i unikalnym brzmieniu. Solid State Logic B-DYN 611B to procesor dynamiki \u201cwyj\u0119ty\u201d wprost z legendarnej konsolety SL 4000 B i zamkni\u0119ty w popularnym formacie serii 500. Konsoleta SL 4000 B mia\u0142a swoj\u0105 premier\u0119 w 1976r i od [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":6087,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"<h1 style=\"text-align: center;\"><b>Modu\u0142 serii 500 Solid State Logic B-DYN 611B\u00a0<\/b><\/h1>\n<h2 style=\"text-align: center;\">\u00a0<\/h2>\n<p><img class=\"aligncenter wp-image-6089 size-full\" src=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-B-DYN-611B.jpg\" alt=\"commercial audio b-dyn 611B\" width=\"1920\" height=\"1054\" \/><\/p>\n<h2>\u00a0<\/h2>\n<h2 style=\"text-align: center;\"><strong>SSL B-DYN 611B to kompresor o agresywnym charakterze i unikalnym brzmieniu.<\/strong><\/h2>\n<p>\u00a0<\/p>\n<p>Solid State Logic B-DYN 611B to procesor dynamiki \u201cwyj\u0119ty\u201d wprost z legendarnej konsolety SL 4000 B i zamkni\u0119ty w popularnym formacie serii 500.<\/p>\n<p><span style=\"font-weight: 400;\">Konsoleta SL 4000 B mia\u0142a swoj\u0105 premier\u0119 w 1976r i od tego czasu u\u017cywana by\u0142a w tak znamienitych studiach nagraniowych jak Virgin\u2019s Townhouse Studio w Londynie, Le Studio w Montrealu czy Record Plant w LA.\u00a0 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">To w\u0142a\u015bnie na konsolecie SL 4000 B nagrywane by\u0142y kultowe przeboje takie jak \u201eIn the Air Tonight\u201d Philla Collinsa, czy \u201eIntruder\u201d Petera Gabriela. Us\u0142ysze\u0107 w nich mo\u017cna unikalny charakter kompresji zastosowanej na b\u0119bnach i wokalach. Je\u015bli chcesz nada\u0107 swoim produkcjom niepowtarzalnej barwy i charakterystycznej saturacji, kt\u00f3re oferuje jedna z najrzadszych i najbardziej po\u017c\u0105danych\u00a0 konsolet studyjnych na \u015bwiecie - SL 4000 B, wybierz procesor B-DYN.<\/span><\/p>\n<p><strong>Kluczowe cechy:<\/strong><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Niepowtarzalny charakter brzmieniowy sekcji dynamiki konsolety SL 4000 B<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Konstrukcja bazuj\u0105ca na SSL Bus Compressor<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Praca w trybie Compressor\/Limiter oraz Gate\/Expander<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Unikalny obw\u00f3d wyposa\u017cony w czujnik Peak odpowiadaj\u0105cy za agresywny charakter brzmienia<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Sta\u0142y, skokowy stosunek kompresji wynosz\u0105cy 2:1, 4:1 oraz 10:1 z dodatkowym trybem pracy \u201eDS.\u201d<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Zdefiniowane czasy release, DS, .2, .4, .8, 1.6 oraz charakterystyczny \u201cAuto\u201d<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Automatyczny make-up gain<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Sidechain High Pass Filter<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Tryb pracy Stereo Link<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Nowy a jednocze\u015bnie klasyczny character SSL dla Twoich produkcji<\/span><\/li>\n<\/ul>\n<p><img class=\"aligncenter wp-image-6098 size-full\" src=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2023\/08\/commercial-audio-SSL-B-DYN-611B.jpg\" alt=\"B-DYN 611B\" width=\"1920\" height=\"1054\" \/><\/p>\n<p><b>Compressor\/Limiter: <\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>RATIO<\/strong> \u2013 Skokowy stosunek kompresji wynosz\u0105cy 2:1, 4:1, 10:1 oraz \u201eds.\u201d. Ustawienie \u201eds\u201d to stosunek kompresji 10:1 z dodatkowym filtrem sidechain. Pozycja \u201eout\u201d powoduje bypass obwodu kompresji.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>TRESH<\/strong> \u2013 Kiedy sygna\u0142 przekroczy poziom ustalony przez ten parametr, kompresor zacznie dzia\u0142a\u0107 z efektywno\u015bci\u0105 adekwatn\u0105 do warto\u015bci parametru Ratio. Threshold i Ratio maj\u0105 r\u00f3wnie\u017c bezpo\u015bredni wp\u0142yw na automatyczny make-up gain.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>HPF<\/strong> \u2013 Filtr g\u00f3rnoprzepustowy ustawiony jest na cz\u0119stotliwo\u015bci 185Hz a jego nachylenie wynosi 6dB\/Oct. Jest on cz\u0119\u015bci\u0105 obwodu kompresora w sekcji sidechain i pozwala unikn\u0105\u0107 efektu pompowania przez niskie cz\u0119stotliwo\u015bci.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>RELEASE \u2013 <\/strong>Zdefiniowane warto\u015bci parametru release w zakresie od .2 ms do 1.6 ms z dodatkowymi trybami \u201eDS\u201d oraz \u201eAuto\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>DS<\/strong> \u2013 Tryb De-Ess zmienia czas ataku od 30 ms do 2 ms.<\/span><\/p>\n<p><b>Tryb De-Ess (DS): <\/b><\/p>\n<p><span style=\"font-weight: 400;\">Ustawiaj\u0105c parametry Ratio i Release kompresora na \u201eDS\u201d praca modu\u0142u B-DYN jest zoptymalizowana pod k\u0105tem redukcji sybilant\u00f3w (De-Essing). Tryb De-Ess to warto\u015b\u0107 ratio 10:1 oraz filtr S\/C sygna\u0142u wej\u015bciowego, zapewniaj\u0105cy szerokopasmow\u0105 kompresj\u0119 wyzwalan\u0105 przez sybilanty. W trybie \u201eDS\u201d parametr release jest dobierany automatycznie w zale\u017cno\u015bci od stopnia zadzia\u0142ania kompresji i wynosi 30 lub 50 ms. Jest to du\u017co szybszy minimalny release w por\u00f3wnaniu do tych zastosowanych w sekcjach dynamiki SSL. Czas attack r\u00f3wnie\u017c zosta\u0142 skr\u00f3cony do 2ms., wi\u0119c jest delikatnie szybszy ni\u017c ten w modu\u0142ach dynamiki E-Series.<\/span><\/p>\n<p><b>Gate\/Expander: <\/b><\/p>\n<p><span style=\"font-weight: 400;\">Sekcja Gate\/Expand modu\u0142u B-DYN mo\u017ce pracowa\u0107 jako bramka o stosunku 20:1 lub jako expander o stosunku 2:1 kiedy wci\u015bni\u0119ty jest przycisk EXP. Czas attack wynosi 0.2 ms.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>RANGE<\/strong> \u2013 Ten parametr pozwala na ustalenie maksymalnej warto\u015bci gain reduction z jak\u0105 zadzia\u0142a sekcja Gate\/Expander.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>THRESH<\/strong> \u2013 Pozwala ustali\u0107 poziom powy\u017cej, kt\u00f3rego bramka\/expander pozostan\u0105 otwarte.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>RELEASE<\/strong> \u2013 Definiuje jak d\u0142ugo sygna\u0142 b\u0119dzie s\u0142yszalny po zadzia\u0142aniu bramki\/expandera<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>EXP<\/strong> \u2013 Prze\u0142\u0105cza bramk\u0119 w tryb expandera z delikatn\u0105 krzyw\u0105 dla precyzyjnej kontroli poziomu powy\u017cej punktu zadzia\u0142ania.<\/span><\/p>\n<p>\u00a0<\/p>\n\n<!-- wp:buttons {\"layout\":{\"type\":\"flex\",\"justifyContent\":\"center\"}} -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"textAlign\":\"center\"} -->\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-text-align-center wp-element-button\" href=\"https:\/\/www.solidstatelogic.com\/media\/solid-state-logic-launch-b-dyn-500-series-module\">Poznaj SSL B-DYN 611B<\/a><\/div>\n<!-- \/wp:button --><\/div>\n<!-- \/wp:buttons -->","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[67],"tags":[101,100,196,194,195,86,99,163],"class_list":["post-6084","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualnosci-ssl-atc-clearcom-bose","tag-audio","tag-dzwiek","tag-modul-500","tag-procesor-dynamiki","tag-seria-500","tag-solid-state-logic","tag-sprzet-studyjny","tag-ssl"],"acf":[],"_links":{"self":[{"href":"https:\/\/commercialaudio.pl\/en\/wp-json\/wp\/v2\/posts\/6084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commercialaudio.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/commercialaudio.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/commercialaudio.pl\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/commercialaudio.pl\/en\/wp-json\/wp\/v2\/comments?post=6084"}],"version-history":[{"count":23,"href":"https:\/\/commercialaudio.pl\/en\/wp-json\/wp\/v2\/posts\/6084\/revisions"}],"predecessor-version":[{"id":6263,"href":"https:\/\/commercialaudio.pl\/en\/wp-json\/wp\/v2\/posts\/6084\/revisions\/6263"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/commercialaudio.pl\/en\/wp-json\/wp\/v2\/media\/6087"}],"wp:attachment":[{"href":"https:\/\/commercialaudio.pl\/en\/wp-json\/wp\/v2\/media?parent=6084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/commercialaudio.pl\/en\/wp-json\/wp\/v2\/categories?post=6084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/commercialaudio.pl\/en\/wp-json\/wp\/v2\/tags?post=6084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}