{"id":12764,"date":"2026-07-27T17:48:17","date_gmt":"2026-07-27T15:48:17","guid":{"rendered":"https:\/\/commercialaudio.pl\/?post_type=product&p=12764"},"modified":"2026-07-30T16:09:45","modified_gmt":"2026-07-30T14:09:45","slug":"konsoleta-analogowa-z-instant-recall-ssl-odyssey","status":"publish","type":"product","link":"https:\/\/commercialaudio.pl\/en\/produkt\/konsoleta-analogowa-z-instant-recall-ssl-odyssey\/","title":{"rendered":"Analog Console with Instant Recall \u2013 SSL Odyssey"},"content":{"rendered":"

SSL Odyssey \u2013 an analog mixing console with Instant Recall<\/b><\/h2>\n

Odyssey represents the culmination of the company's entire body of knowledge SSL<\/a> on analog technology, studio workflow, and, of course, exceptional sound\u2014all condensed into a single, uncompromising vision. Thanks to SSL\u2019s ActiveAnalogue\u2122 technology, this console employs the revolutionary Instant Recall philosophy, first implemented in the Oracle<\/a>, and extends it into an unlimited modular console.
\nFor decades, the capabilities of traditional analog consoles have been limited by a fundamental obstacle: complex sessions require time to reset, review, compare, and correct. With Odyssey, these problems don\u2019t exist. Entire analog console states can be restored, compared, corrected, and switched in the blink of an eye, allowing for full A\/B comparisons of mixes, alternative balances, artist-driven changes, and corrections are immediate and do not disrupt workflow.<\/p>\n

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From medium-sized 24+8-channel configurations to massive 96+8-channel systems, featuring straight and curved ProStation modules and fully customizable rack options. Completely analog in sound, it allows engineers to work faster and better.<\/p>\n

Each channel is equipped with a complete set of fully analog, recallable tools \u2014 PureDrive\u2122 microphone preamps, dynamics processors, a switchable E\/G series equalizer, and assignable filters \u2014 putting the full power of SSL sound-shaping right at the engineer\u2019s fingertips. True linear architecture with motorized large and small faders provides instant control over multiple signal paths, enabling fast and seamless operations throughout the production process.<\/p>\n

Thanks to SSL\u2019s ultra-high-performance ActiveAnalogue\u2122 circuits, housed in dedicated processing racks, the Odyssey delivers the sound quality expected from an SSL flagship analog console. From crystal-clear, reference-grade precision to warm, dynamic sounds \u2014 Odyssey offers engineers a wide palette of analog sounds, enabling both precise and transparent production as well as adding color and character to the music when needed.<\/p>\n

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The Odyssey Central Section serves as the command center for the entire production environment, combining mix control, stereo groups, VCAs, bus processing, monitoring, feedback, communication, and DAW transport into a single powerful workspace. From managing multiple main mix buses and stereo groups to shaping the final mix, creating artist signals, checking sources, controlling talkback, and switching monitor systems\u2014this ensures that key session decisions are always at your fingertips. The flexible monitoring system supports multiple speaker sets, external sources, foldback signals, solo\/listen modes, and third-party immersive systems, such as a Dolby Atmos renderer, allowing you to work on both stereo and spatial productions from the main listening position.<\/p>\n

The O-Control application suite provides tools that work in both online and offline modes for configuring the Odyssey (and Oracle) consoles, preparing sessions, and managing projects on Windows and macOS. With this software, you can prepare, view, and manage projects, presets, snapshots,\u00a0 processing sections, meters, fader positions, and mute\/solo status\u2014allowing you to start complex sessions faster and keep them organized.<\/p>\n

Thanks to advanced DAW control with the ability to assign functions \u201eby section\u201d and O-Motion automation, Odyssey combines the feel of an analog console with familiar DAW workflows, allowing you to record, edit, and play back console movements with the precision required in modern production.<\/p>\n

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Key features:<\/h2>\n

\u2013 The Future Analogue console is designed for recording sessions, overdubs, and large-scale mixing
\n\u2013 ActiveAnalogue\u2122 Instant Recall technology, delivering unmatched performance
\n\u2013 4 Stereo Mix buses, 16 Track buses, 10 AUX buses, 8 \u201eFlex\u201d stereo groups, 3 stereo Foldback buses
\n\u2013 Modular design, available in configurations ranging from 24+8 to 96+8 channels, in straight, curved \u201ePro Station\u201d versions, and with frames customized to individual needs
\n\u2013 High-performance PureDrive\u2122 microphone preamps with a \u201eDrive\u201d control\u201d
\n\u2013 SSL channel dynamics: compressor\/limiter, gate\/expander
\n\u2013 4-band SSL parametric equalizer with switchable E\/G series curves and Q characteristics
\n\u2013 Assigned high-pass and low-pass filters and insertion points
\n\u2013 High-quality motorized small 60-mm slider and large 100-mm slider
\n\u2013 Integrated THE BUS+ and Analogue Dynamic EQ processors
\n\u2013 Flexible monitoring offers a variety of stereo and immersive mixing options
\n\u2013 Transparent VU-style or plasma-style meters with a dynamic \u201eDetail View\u201d
\n\u2013 Advanced DAW control, configurable on a \u201eper-fader-bay\u201d basis\u201d
\n\u2013 O-Motion Plug-in Dynamic Automation System
\n\u2013 O-Control Application Suite: online and offline tools for preparing sessions and configuring the console
\n\u2013 The 13U 19\u201d rack cabinet (or cabinets) houses all analog circuits and can be located remotely, in the control room, or under the console<\/p>\n

Control panel<\/h2>\n

Uk\u0142ad 8-kana\u0142owych modu\u0142\u00f3w w\u2028Odyssey zosta\u0142 zaprojektowany tak, aby zapewni\u0107 operatorom pe\u0142n\u0105 kontrol\u0119 na ka\u017cdym etapie procesu produkcji. Ka\u017cdy kana\u0142 zapewnia dedykowan\u0105, bezpo\u015bredni\u0105 kontrol\u0119 nad zestawem narz\u0119dzi analogowych – wzmocnieniem mikrofonu\/wej\u015bcia, wysy\u0142kami AUX, dynamik\u0105, czteropasmowym korektorem parametrycznym, filtrami g\u00f3rnoprzepustowymi i dolnoprzepustowymi, zmotoryzowanymi ma\u0142ym suwakiem o 60 mm oraz du\u017cym suwakiem 100 mm – dzi\u0119ki czemu kluczowe funkcje s\u0105 zawsze pod r\u0119k\u0105, a nie ukryte w menu.
\nFlexible control via the panel allows you to access the settings for any channel from a central listening position. Related switches are located between the knobs, providing intuitive access to equalizer band selection, AUX send on\/off, and other key functions, while additional controls for routing and auxiliary functions are located to the left and right of each module.
\nThe result is an extremely user-friendly control panel that provides instant access to the necessary controls, and its shallow depth from front to back reduces the distance you have to reach and ensures comfort during long sessions.<\/p>\n

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ActiveAnalogue\u2122<\/h2>\n

ActiveAnalogue\u2122 technology gives the Odyssey console the tactile feel and response characteristic of a traditional SSL analog console, while the operator remains unaware that ultra-precise digital control is behind every movement. With a resolution of 16,000 steps for all adjustable parameters, engineers gain the immediacy of analog operation combined with the accuracy necessary for precise recall and perfectly repeatable settings.<\/p>\n

Channel strip<\/h2>\n

The Odyssey channel strip is based on SSL's classic linear architecture but has been adapted to modern workflows. Each channel offers separate recording and monitoring paths, with independent control over input gain, output level, and processing routing.
\nBoth tracks are equipped with independent, switchable, and portable insert points. Independent direct outputs on each track allow for the direct capture of analog sources, processed signals, mixes, or individual tracks into a DAW, preserving the full character of the signal chain while supporting lightning-fast hybrid workflows.<\/p>\n

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Dynamics section<\/h2>\n

The Odyssey\u2019s fully analog, instantly recallable channel dynamics settings continue SSL\u2019s tradition of compression, limiting, gating, and expansion \u2014 bringing tools to the Future Analogue workflow that have helped shape the sound of countless recordings.<\/p>\n

The compressor\/limiter offers signal-dependent attack time with a Fast Attack switch, as well as RMS or peak detection (Peak) for seamless control of gain, punch, or more character-driven compression and limiting, along with a dedicated Wet\/Dry mix for parallel compression directly in the channel. Next to it, the expander\/gate offers Inf:1 gate mode and 2:1 expander mode with signal-dependent attack time, a Fast Attack option, and adjustable parameters for Range, Threshold, release, and hold<\/p>\n

Odyssey\u2019s sidechain can be routed as an independent processing resource, connected from the same or an alternative channel track, triggered from the insert return, or shaped using filters and\/or the channel equalizer. From de-essing and frequency-dependent compression to keyed gating, targeted expansion, and dynamic shaping \u2014 the Odyssey provides every channel with the precision, character, and musical response that make SSL dynamics an essential element of any studio.<\/p>\n

E and G Series Correctors<\/h2>\n

Each channel is equipped with a fully analog four-band parametric equalizer with switchable E-series and G-series characteristics, giving engineers access to two classic SSL sounds. The E Series delivers a distinct, assertive presence and clarity, while the G Series offers broader, more refined tonal control. The ability to select shelf\/bell curves for high and low frequencies, along with switchable Q behavior in the midrange, provides the precision necessary for both subtle adjustments and bold, creative sound shaping.<\/p>\n

You can instantly assign a corrector to a small or large fader track, which allows for seamless sound shaping during recording, overdubbing, and mixing.<\/p>\n

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Mono and stereo channels<\/h2>\n

By default, channels function as high-performance mono channel strips or can be paired in odd\/even pairs to operate in stereo mode, providing a single, simplified set of controls for paired sources such as keyboards, drum machines, external instruments, stereo effects returns, submixes, and stems. Paired channels are \u201ematched\u201d to within one-hundredth of a dB, enabling exceptionally precise, matched stereo microphone gain, equalization, and dynamics processing\u2014while preserving the true balance, depth, and detail of the stereo image.<\/p>\n

Channel Meters<\/h2>\n

Each section of the Odyssey features panels with a dedicated display that clearly shows key channel information. Track names, bus routing, channel level meters, and track labels for both \u201eLarge Fader\u201d and \u201eSmall Fader\u201d tracks are located directly above the controls, providing engineers with immediate visual feedback during complex, sequential workflows.
\nYou can switch the level meters between the VU scale. The routing displays show the assignments for the main buses A, B, C, and D, the status of the Aux buses, the stereo Aux pairs, and the routing of the 16 Track buses, with color-coded indicators for \u201eSmall Fader\u201d and \u201eLarge Fader\u201d tracks.<\/p>\n

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Channel Detail View<\/h2>\n

The channel details view allows engineers to quickly and clearly understand the exact configuration of each channel, including all parameters for both the high-slider and low-slider tracks. Thanks to its integration with Navigator, it provides quick \u201escroll-and-control\u201d access to processing functions, switches, and signal routing\u2014making it easy to check, adjust, and manage complex channel configurations in real time.<\/p>\n

TouchView Mode<\/h2>\n

TouchView mode provides an instant, graphical display for each channel showing which of the controls in that channel\u2019s processing section is currently being touched. For example, adjusting an equalizer control immediately displays a familiar view of the equalizer section on the meter display above the corresponding channel. This image is displayed simultaneously when multiple channel controls on the panel are touched, providing an additional, convenient way to view channel settings that works in parallel with the panel controls.<\/p>\n

Navigator System Controls<\/h2>\n

Odyssey places the controls most frequently used by engineers right at their fingertips, while maintaining console dimensions that accommodate the various sizes of control rooms in modern studios. Dedicated controls on the panel provide quick, tactile access to essential processing functions, and thanks to the generous spacing between buttons and the console\u2019s reduced depth, operation during long sessions is more comfortable.
\nTo provide even greater control, the Odyssey displays and the Navigator system offer clear access to advanced processing parameters, switching functions, and signal routing. The result is a panel that feels intuitive and well-organized, while still allowing you to fully utilize the capabilities of the Future Analogue console when needed.<\/p>\n

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Central Section<\/h2>\n

The central section of the Odyssey console brings together mixing, monitoring, and control functions into a single powerful, highly configurable workspace. It provides master level control for all buses, monitoring and feedback tools, eight fader-controlled stereo group inputs, and up to 24 VCA faders for managing the levels of multiple tracks directly from the center of the console.
\nThe large central LCD display provides access to Main, Track, and Aux bus controls, foldback levels, and detailed positioning information, while dedicated controls on the panel allow for immediate operation of the Dynamic EQ, Bus Compressor, Main Bus processing, DAW transport, jog\/shuttle, talkback, monitoring, monitor selection, foldback, and solo functions. A slot for a tablet or controller powered via USB-C keeps additional studio tools within reach, complementing a center section that is powerful, flexible, and designed with the workflow of modern mixing consoles in mind. (The devices shown in the photo are not included in the package.)
\nKa\u017cde wej\u015bcie grupy stereo mo\u017ce odbiera\u0107 parami 16 szyn Track i zawiera regulacj\u0119 panoramy, prze\u0142\u0105czany insert, dedykowane wyj\u015bcie direct oraz routing do szyn Track, Aux i Main – co u\u0142atwia przetwarzanie, routing, ponowne \u0142\u0105czenie i rejestrowanie grup stereo, \u015bcie\u017cek i submiks\u00f3w bezpo\u015brednio z konsoli, a wszystko to z zachowaniem sp\u00f3jno\u015bci fazowej wzgl\u0119dem \u017ar\u00f3d\u0142a i innych szyn miksowania w konsoli.
\nDzi\u0119ki modu\u0142owej konstrukcji Odyssey \u015brodkowy panel mo\u017cna umie\u015bci\u0107 bli\u017cej suwak\u00f3w centralnych lub przesun\u0105\u0107 wy\u017cej w kierunku meter bridge’a, tworz\u0105c miejsce na klawiatur\u0119 bezprzewodow\u0105 lub trackball pomi\u0119dzy centralnymi elementami steruj\u0105cymi a suwakami. Dost\u0119pne s\u0105 r\u00f3wnie\u017c niestandardowe sekcje \u015brodkowe o podw\u00f3jnej szeroko\u015bci, kt\u00f3re zwi\u0119kszaj\u0105 powierzchni\u0119 robocz\u0105, umo\u017cliwiaj\u0105c rozbudowane uk\u0142ady sterowania, umieszczenie Stream Deck\u00f3w i innych akcesori\u00f3w studyjnych.<\/p>\n

Detailed views of the central section<\/h2>\n

Detailed views of processing and routing are available in the center section of the Odyssey console, providing engineers with focused access to the console\u2019s core mixing and control functions. When opened, the main meters automatically adjust their size so that the output bus meters remain visible, allowing you to keep an eye on key level information while adjusting more advanced processing controls.<\/p>\n

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Bus Architecture<\/h2>\n

Architektura szyn konsoli Odyssey zapewnia in\u017cynierom wyj\u0105tkow\u0105 elastyczno\u015b\u0107 routingu w zakresie nagrywania, miksowania, tworzenia \u015bcie\u017cek, miks\u00f3w kontrolnych, przetwarzania r\u00f3wnoleg\u0142ego oraz hybrydowych proces\u00f3w pracy. Dzi\u0119ki 34 szynom miksuj\u0105cym dost\u0119pnym dla ka\u017cdego kana\u0142u konsola Odyssey oferuje 16 szyn Track, 10 szyn Aux oraz cztery stereofoniczne szyny Main Mix – Main A oraz dodatkowe szyny B, C i D.
\nThe 10 Aux tracks in the Odyssey can function as individual mono sends or be combined in odd\/even pairs to create up to five stereo Aux tracks, ideal for foldbacks, effects sends, submixes, and stems. Each track\u2019s large and small faders can be routed independently or simultaneously to any combination of buses, allowing you to create complex stem structures, alternate outputs, and parallel mixes directly from the console.
\nThe four Main Mix stereo buses offer flexible options, with buses B, C, and D available for independent mixes, alternate takes, or parallel processing before summing to Main A. The Odyssey also integrates THE BUS+ module in the center section.<\/p>\n

THE BUS+, an analog dynamic equalizer and more<\/h2>\n

THE BUS+ is a modern classic that carries the sonic consistency and power characteristic of the G Comp into the future. It offers four operating modes: LOW THD, Feedback, and \u201e4K\u201d saturation modes, as well as popular analog processors such as a dynamic equalizer, transient expander, and many others. Integrated into the Odyssey console, the THE BUS+ module significantly expands the console\u2019s sonic capabilities and is fully reversible thanks to ActiveAnalogue\u2122 technology.<\/p>\n

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Monitoring and Foldback<\/h2>\n

The Odyssey console\u2019s monitoring system continues SSL\u2019s tradition of advanced studio monitoring, supporting multiple monitor setups in the control room, three independent foldback signals, a headphone output on the front panel, and four stereo external inputs. A dedicated stereo input on the front panel also allows for quick connection of instruments, playback devices, or external Bluetooth receivers for instant reference playback from phones or tablets.
\nThe Listen controls for the entire console provide monitoring in After Fade, Pre Fade, Solo In Front, and Solo In Place from channels, stereo group inputs, and buses, while the Studio Foldback section can draw signals from Aux buses, external inputs, and the console\u2019s monitoring tracks to create flexible headphone mixes or playback signals. The Talkback and Studio Listen functions can be controlled from the control panel or remotely, with support for third-party headphone mixing systems.<\/p>\n

Immersive Monitoring<\/h2>\n

For immersive production, Odyssey can delegate monitoring control to an external system, such as a Dolby Atmos renderer, working in conjunction with the DAW\u2019s object panning and track insert functions, which allows for monitoring of analog-processed channel signals in an immersive mixing environment from the console\u2019s main listening position.<\/p>\n

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Track and Aux Rails<\/h2>\n

The Odyssey console\u2019s 10 Aux buses can be configured as mono sends or paired in odd\/even pairs to create stereo sends, allowing the console to adapt to the needs of any session. Complex tracking setups can combine multiple stereo foldback mixes with mono effects sends, while during mixing sessions, stereo Aux tracks can be used for parallel processing alongside mono sends for reverbs, delays, and outboard effects.
\nTo provide greater routing flexibility, AUX buses 9 and 10 can feed the Track buses via the channel\u2019s internal EFX bus, allowing you to create multiple channel groups under independent fader control. These signals can be routed back through the stereo group inputs for insert processing, stereo imaging control, and precise level management.
\nThe 16 Track Odyssey channels can be fed from tracks with both large and small faders, and routing is available in mono mode or as odd-even pairs in stereo mode, according to the channel mix bus panning. This provides engineers with fast and flexible ways to create stereo groups, tracks, alternate outputs, and complex mix structures directly from the console.<\/p>\n

Stereo Group Inputs<\/h2>\n

Odyssey offers eight flexible, fader-controlled stereo group inputs for creating tracks, submixes, parallel processing tracks, and alternative mix versions. Each stereo group can accept 16 Track buses in stereo pairs and includes pan control, a switchable insert, a dedicated direct output, and routing to Track, Aux, and Main buses.
\nFor advanced stereo signal processing, the Image processor can function as an MS encoder before the insert, allowing for independent processing of the Mid and Side signals, with the option to select MS decoding upon return from the insert. This simplifies the processing, routing, recombining, and recording of stereo groups, tracks, and submixes directly from the console.<\/p>\n

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DAW Control<\/h2>\n

Odyssey integrates advanced DAW control with the console\u2019s architecture, giving engineers direct control over both analog signal paths and workstation sessions from a single, unified panel. Using the FOCUS key, each 8-channel module can be independently switched between analog processing and DAW control, allowing for parallel analog and DAW workflows across the entire console.
\nIn\u017cynierowie mog\u0105 regulowa\u0107 \u015bcie\u017cki DAW, porusza\u0107 si\u0119 po rozbudowanych sesjach, sterowa\u0107 kluczowymi funkcjami stacji roboczej oraz kszta\u0142towa\u0107 kana\u0142y analogowe bez opuszczania stanowiska ods\u0142uchowego i przerywania miksowania. Dzi\u0119ki technologii SSL 360\u00b0 Odyssey wprowadza nowoczesne sterowanie DAW do flagowego procesu pracy z konsol\u0105 analogow\u0105 – zachowuj\u0105c skal\u0119, charakter i przeznaczenie konsoli, jednocze\u015bnie rozszerzaj\u0105c zakres element\u00f3w, kt\u00f3rymi mo\u017cna sterowa\u0107 z poziomu panelu.<\/p>\n

Immersive Production<\/h2>\n

Odyssey can integrate with immersive monitoring systems from other manufacturers, including solutions such as the Dolby Atmos Renderer, allowing spatial monitoring to be controlled directly from the console. Once configured using O-Setup and activated from the monitoring section, Odyssey can mute its own analog stereo monitoring and send control commands to the immersive audio renderer.
\nCombined with the Instant Recall feature, this gives engineers a faster and more repeatable way to manage complex immersive sessions\u2014from switching between monitoring environments to reverting to previous versions of Atmos mixes while maintaining consistency.<\/p>\n

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Session Management in O-Control<\/h2>\n

The O-Control application suite includes the following set of applications:
\n– O-Setup: Zarz\u0105dza ustawieniami konsoli
\n– O-Session: Zarz\u0105dza zapisywaniem i wczytywaniem projekt\u00f3w, preset\u00f3w, snapshot\u00f3w, a tak\u017ce kontrol\u0105 i monitorowaniem sekcji przetwarzania konsoli.
\n– O-Overview: Wy\u015bwietla \u201eprzegl\u0105d\u201d kana\u0142\u00f3w konsoli, w tym pomiary, pozycje du\u017cych i ma\u0142ych suwak\u00f3w oraz statusy cut i solo.
\nThe O-Control application suite provides online and offline configuration, control, and session management for Odyssey and Oracle consoles on Windows and macOS systems. When used in conjunction with a console or in standalone mode, it allows you to create, edit, update, and prepare project information before starting a session\u2014reducing setup time and bringing greater organization to the studio\u2019s demanding workflows.
\nO-Setup manages the console's settings, including all gain, routing, and processing parameters. O-Session handles projects, presets, snapshots, and control of the processing section, while O-Overview provides visibility into all channels\u2019 meter readings, the positions of large and small faders, and cut\/solo status. Together, they give engineers and studio teams the tools to set up faster, manage sessions efficiently, and organize complex productions clearly.<\/p>\n

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O-Motion Automation System<\/h2>\n

O-Motion brings Odyssey and Oracle console automation directly into the DAW environment, allowing engineers to record, play back, and edit console parameters using familiar Pro Tools automation playlists or Logic Pro tracks. Building on SSL\u2019s industry-leading tradition of advanced console automation, it combines direct control with the precision, flexibility, and editing capabilities of DAW automation.
\nThanks to the O-Motion plug-in for DAWs, changes made on the Odyssey console are recorded in the DAW, where they can be edited, copied, trimmed, synced to tempo, and rearranged just like any other automation data. Each instance of the plug-in can be assigned to any console channel, VCA group, AUX bus, stereo group, or main bus.<\/p>\n

Standard, ProStation, and Custom Configurations<\/h2>\n

The Odyssey console is available in standard, ProStation, and fully custom configurations, allowing each console to be tailored to ergonomic requirements, workflow, and control room architecture. Standard configurations with a simple frame include 24, 32, and 48 channels, while larger 64-, 72-, and 96-channel systems are available for facilities requiring greater scalability.
\nTo enhance the operator\u2019s focus and reach, the Odyssey console is also available in a curved ProStation version, allowing the console surface to naturally wrap around the listening position. Configurations with a custom frame are available with sections angled at 15\u00b0 or 25\u00b0, allowing studios to create the ideal console shape tailored to the room layout and workflow.
\nThe ProStation console and custom configurations can also be equipped with a split meter bridge above the center section, which allows DAW screens to be placed lower and closer to the operator. This creates a more integrated production environment, improving visibility, reducing distance, and ensuring seamless synchronization between console control, session navigation, and screen-based workflows.<\/p>\n

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ActiveAnalogue\u2122 Processing Rack<\/h2>\n

Odyssey systems typically use two to five dedicated processing racks, depending on the specifications: one for processing the central section and one to four for processing the channels. Placing the analog processing in dedicated racks helps maintain clarity, ergonomics, and ease of use at the console, while also ensuring a scalable system design, easier maintenance, better temperature management, and long-term reliability.
\nRacks can be located away from the control panel, mounted on the floor, in a server cabinet, or installed in a control room or separate machine room. Active cooling ensures consistent performance, and a noise level below NR25 allows for flexible installation with minimal impact on the listening environment.<\/p>\n

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 <\/p>\n

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