{"id":12421,"date":"2026-05-12T11:19:36","date_gmt":"2026-05-12T09:19:36","guid":{"rendered":"https:\/\/commercialaudio.pl\/?p=12421"},"modified":"2026-05-12T11:20:27","modified_gmt":"2026-05-12T09:20:27","slug":"dsp-procesor-maticovy-prevodnik-zvukovy-system","status":"publish","type":"post","link":"https:\/\/commercialaudio.pl\/sk\/procesor-dsp-matryca-konwerter-naglosnienie\/","title":{"rendered":"Procesor DSP, matica a zvukov\u00fd prevodn\u00edk - opera\u010dn\u00fd mozog nevyhnutn\u00fd pre ka\u017ed\u00fa po\u017ei\u010dov\u0148u."},"content":{"rendered":"<h3 class=\"wp-block-heading\">V dynamickom svete zvukovej produkcie, kde v s\u00fa\u010dasnosti existuje mno\u017estvo digit\u00e1lnych \u0161tandardov, po\u017eiadavky umelcov a syst\u00e9mov\u00fdch in\u017einierov sa zvy\u0161uj\u00fa s ka\u017ed\u00fdm turn\u00e9, mus\u00ed prenaj\u00edmaj\u00faca spolo\u010dnos\u0165 odpoveda\u0165 na nieko\u013eko mimoriadne d\u00f4le\u017eit\u00fdch ot\u00e1zok: \u201eAk\u00fd najlep\u0161\u00ed DSP procesor si vybra\u0165?\u201d, \u201eAk\u00e1 je najlep\u0161ia audio matica?\u201d, \u201eKtor\u00fd audio prevodn\u00edk je najuniverz\u00e1lnej\u0161\u00ed?\u201d, \u201eJe mo\u017en\u00e9 ma\u0165 najlep\u0161\u00ed DSP procesor, maticu a audio prevodn\u00edk v jednom zariaden\u00ed?\u201d, \u201ePotrebujeme v\u00f4bec pokro\u010dil\u00fd DSP procesor a prep\u00edna\u010d sign\u00e1lu pre r\u00f4zne audio form\u00e1ty?\u201d.\u201d<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Odpove\u010f na v\u0161etky tieto ot\u00e1zky je jednoduch\u00e1:\u00a0<strong>\u00c1NO<\/strong>, <strong>DirectOut<\/strong>. Dne\u0161n\u00fd \u201esyst\u00e9m riadenia\u201d u\u017e nie je len ot\u00e1zkou rozdelenia p\u00e1sma (crossover). Je to \u00faloha riadiaceho centra, ktor\u00e9 mus\u00ed zladi\u0165 bezpe\u010dnos\u0165, konverziu form\u00e1tov, r\u00f4zne pracovn\u00e9 frekvencie a \u0161pi\u010dkov\u00fa kvalitu zvuku.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tento \u010dl\u00e1nok je potvrden\u00edm vy\u0161\u0161ie uvedenej odpovede, ktor\u00e1 vych\u00e1dza zo s\u00fa\u010dasn\u00fdch trendov a po\u017eiadaviek trhu s PA a vlastnost\u00ed \u0161pi\u010dkov\u00fdch zna\u010diek:\u00a0<a href=\"https:\/\/meyersound.com\/product\/galileo-galaxy\/\" target=\"_blank\" rel=\"noopener\"><strong>Meyer Sound Galaxy<\/strong><\/a><strong>, <\/strong><a href=\"https:\/\/newton.outline.it\/\" target=\"_blank\" rel=\"noopener\"><strong>N\u00e1\u010drt Newton<\/strong><\/a><strong>, <\/strong><a href=\"https:\/\/www.l-acoustics.com\/products\/p1\/\" target=\"_blank\" rel=\"noopener\"><strong>L-Acoustics P1<\/strong><\/a><strong>, <\/strong><a href=\"https:\/\/xta.co.uk\/portfolio\/mx36\/\" target=\"_blank\" rel=\"noopener\"><strong>XTA MX36<\/strong><\/a>\u00a0a funk\u010dnos\u0165 l\u00eddra DirectOut <a href=\"https:\/\/commercialaudio.pl\/sk\/produkt\/zvukovy-procesor-prodigymp-directout\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Prodigy<\/strong><\/a>, <a href=\"https:\/\/commercialaudio.pl\/sk\/produkt\/procesor-audio-directout-mavena\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Maven<\/strong><\/a> a <a href=\"https:\/\/commercialaudio.pl\/sk\/produkt\/platforma-audio-directout-ace\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>ACE<\/strong><\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1866\" height=\"1589\" src=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/Projekt-bez-nazwy-97.jpg\" alt=\"Procesor dsp\" class=\"wp-image-12422\" srcset=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/Projekt-bez-nazwy-97.jpg 1866w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/Projekt-bez-nazwy-97-1280x1090.jpg 1280w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/Projekt-bez-nazwy-97-980x835.jpg 980w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/Projekt-bez-nazwy-97-480x409.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1866px, 100vw\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1 Babylonsk\u00e1 ve\u017ea: Protokoly a konverzia<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jedn\u00fdm z hlavn\u00fdch probl\u00e9mov modern\u00fdch pren\u00e1jmov je \u201edigit\u00e1lna Babylonsk\u00e1 ve\u017ea\u201d. Na jednom festivale m\u00f4\u017eu by\u0165 konzoly vysielaj\u00face sign\u00e1l za&nbsp;<strong>Dante, Soundgrid <\/strong>a\/alebo<strong> AES\/EBU<\/strong>, prenosov\u00e9 vozidlo vy\u017eaduj\u00face&nbsp;<strong>MADI <\/strong>alebo <strong>RAVENNA<\/strong>, PA syst\u00e9m, ktor\u00fd funguje na&nbsp;<strong>AVB\/Mil\u00e1no<\/strong>, plus hos\u0165uj\u00faci realiz\u00e1tor s anal\u00f3gov\u00fdm outboardom, ako s\u00fa ekvaliz\u00e9ry, kompresory, predzosil\u0148ova\u010de alebo cel\u00e9 kan\u00e1lov\u00e9 p\u00e1sy.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nie v\u0161etky zariadenia dostupn\u00e9 na trhu pon\u00fakaj\u00fa mo\u017enos\u0165 pracova\u0165 s takou \u0161irokou \u0161k\u00e1lou form\u00e1tov. Takmer \u017eiadne z t\u00fdchto zariaden\u00ed nepracuje v dom\u00e9ne FIX - t. j. maj\u00fa pevne stanoven\u00e9 mo\u017enosti pripojenia zdroja IN a OUT, naj\u010dastej\u0161ie anal\u00f3gov\u00e9ho, AES\/EBU a Dante. Procesory pon\u00fakan\u00e9 zna\u010dkou <a href=\"https:\/\/commercialaudio.pl\/sk\/directout-3\/\">DirectOut<\/a> maj\u00fa v\u00fdhodu modul\u00e1rnej kon\u0161trukcie, to znamen\u00e1, \u017ee m\u00f4\u017eu implementova\u0165 karty vo v\u0161etk\u00fdch mo\u017en\u00fdch dostupn\u00fdch zvukov\u00fdch form\u00e1toch (<a href=\"https:\/\/www.directout.eu\/product-category\/modules\/\" target=\"_blank\" rel=\"noopener\">dostupn\u00e9 karty pre Prodigy a Maven<\/a>). Je to ak\u00fdsi univerz\u00e1lny preklada\u010d form\u00e1tov, ktor\u00fd m\u00f4\u017eeme individu\u00e1lne prisp\u00f4sobi\u0165 aj danej udalosti pod\u013ea potrieb a hlavne oddelen\u00edm hod\u00edn.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ak sa vr\u00e1time k podstate, t. j. k tomu, \u010do po\u017ei\u010dov\u0148a v s\u00fa\u010dasnosti potrebuje, stoj\u00ed za to postara\u0165 sa o nieko\u013eko funkci\u00ed zvukov\u00e9ho procesora\/matrice:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Podpora protokolov: modern\u00fd procesor mus\u00ed podporova\u0165 protokoly Dante, Milan (AVB), Ravenna, MADI, Soundgrid, AES\/EBU a tradi\u010dn\u00fd anal\u00f3gov\u00fd protokol.<\/li>\n\n\n\n<li>USB Audio: Procesory \u010doraz \u010dastej\u0161ie funguj\u00fa ako zvukov\u00e9 rozhranie (napr. v L-Acoustics P1 alebo DirectOut Prodigy alebo Maven) na meranie (Smaart) alebo viacstopov\u00e9 nahr\u00e1vanie, \u010d\u00edm sa eliminuje potreba extern\u00fdch zvukov\u00fdch kariet.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">To znamen\u00e1, \u017ee spolo\u010dnos\u0165 zabezpe\u010duj\u00faca ozvu\u010denie sa nemus\u00ed stara\u0165 o to, v akom form\u00e1te bude sign\u00e1l FOH prich\u00e1dza\u0165 - procesor prijme v\u0161etko a vr\u00e1ti zosil\u0148ova\u010dom to, \u010do potrebuj\u00fa.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/PRODIGY-MP-foh.jpg\" alt=\"\" class=\"wp-image-12423\" srcset=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/PRODIGY-MP-foh.jpg 1920w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/PRODIGY-MP-foh-1280x720.jpg 1280w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/PRODIGY-MP-foh-980x551.jpg 980w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/PRODIGY-MP-foh-480x270.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1920px, 100vw\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2 Srdce syst\u00e9mu: Ladenie DSP a PA<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u010eal\u0161\u00edm d\u00f4vodom, pre\u010do ma\u0165 dsp procesor\/matricu, je doladenie zvukov\u00e9ho syst\u00e9mu. Ka\u017ed\u00e9 z uveden\u00fdch zariaden\u00ed pon\u00faka v\u00fdkonn\u00fd v\u00fdpo\u010dtov\u00fd v\u00fdkon, ale l\u00ed\u0161i sa svoj\u00edm pr\u00edstupom a mo\u017enos\u0165ami. MUST HAVE pre n\u00e1\u0161 procesor:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Filtre a ich typy:<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">- <strong>IIR<\/strong> - Ich hlavnou \u010drtou je ich rekurz\u00edvnos\u0165. To znamen\u00e1, \u017ee v\u00fdstupn\u00fd sign\u00e1l z\u00e1vis\u00ed nielen od aktu\u00e1lnych a minul\u00fdch vstupn\u00fdch vzoriek, ale aj od predch\u00e1dzaj\u00facich v\u00fdstupn\u00fdch vzoriek. Zjednodu\u0161ene povedan\u00e9: filter si \u201epam\u00e4t\u00e1\u201d svoje predch\u00e1dzaj\u00face kroky a zacykl\u00ed ich, v\u010faka \u010domu teoreticky trv\u00e1 impulzn\u00e1 odozva neobmedzene dlho (odtia\u013e n\u00e1zov). V d\u00f4sledku toho tieto filtre dokonale napodob\u0148uj\u00fa spr\u00e1vanie anal\u00f3gov\u00fdch elektronick\u00fdch obvodov<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">- <strong>FIR<\/strong> - Na rozdiel od IIR nemaj\u00fa FIR filtre \u017eiadnu sp\u00e4tn\u00fa v\u00e4zbu. V\u00fdstupn\u00fd sign\u00e1l z\u00e1vis\u00ed len od s\u00fa\u010dasn\u00fdch a minul\u00fdch vstupn\u00fdch vzoriek. Tento filter \u201epretl\u00e1\u010da\u201d sign\u00e1l cez s\u00e9riu n\u00e1sobi\u010dov, \u010do sa matematicky naz\u00fdva sp\u00e1janie. Na dosiahnutie presn\u00fdch rezov potrebuje filter FIR tis\u00edce tak\u00fdchto bodov, \u010do ve\u013emi za\u0165a\u017euje procesor, tak\u017ee nie ka\u017ed\u00fd komer\u010dne dostupn\u00fd DSP ur\u010den\u00fd pre trh s ozvu\u010den\u00edm dok\u00e1\u017ee otvori\u0165 v\u00e4\u010d\u0161\u00ed po\u010det tak\u00fdchto pr\u00edpadov.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A \u010do latencia? Presn\u00e9 n\u00e1stroje nemaj\u00fa radi kompromisy.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Porovnanie: FIR vs IIR<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Funkcia<\/strong><\/td><td>FIR (line\u00e1rny f\u00e1zov\u00fd) filter<\/td><td>IIR filter (nulov\u00e1 latencia)<\/td><\/tr><tr><td><strong>F\u00e1za<\/strong><\/td><td>Line\u00e1rne (bez f\u00e1zov\u00e9ho skreslenia)<\/td><td>Posunut\u00e9 (f\u00e1zov\u00e9 skreslenie)<\/td><\/tr><tr><td><strong>Oneskorenie<\/strong><\/td><td>Ve\u013emi vysok\u00e1<\/td><td>Minimum \/ nula<\/td><\/tr><tr><td><strong>Zdroje CPU<\/strong><\/td><td>Vysok\u00e1<\/td><td>N\u00edzka<\/td><\/tr><tr><td><strong>Artefakty<\/strong><\/td><td>Predzvonenie (ozvena pred zvukom)<\/td><td>Post-ringing (zvonenie po zvuku)<\/td><\/tr><tr><td><strong>Stabilita<\/strong><\/td><td>V\u017edy stabiln\u00e9<\/td><td>M\u00f4\u017ee by\u0165 nestabiln\u00fd<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Spolupr\u00e1ca so softv\u00e9rom Smaart:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Predstavte si, \u017ee m\u00e1te procesor dsp integrovan\u00fd so softv\u00e9rom Smaart a m\u00f4\u017eete ma\u0165 v\u0161etky \u00fadaje v jednom okne. Spolo\u010dnos\u0165 DirectOut sa nesna\u017e\u00ed vykopn\u00fa\u0165 otvoren\u00e9 dvere - namiesto vytvorenia vlastn\u00e9ho analyz\u00e1tora si softv\u00e9r Globcon, ktor\u00fd sa pou\u017e\u00edva na podporu procesorov zna\u010dky DirectOut, \u201erozumie\u201d so spolo\u010dnos\u0165ou Smaart prostredn\u00edctvom svojho rozhrania API. To umo\u017e\u0148uje zobrazova\u0165 nameran\u00e9 \u00fadaje priamo v okne ekvaliz\u00e9ra (EQ) procesora PRODIGY, MAVEN alebo ACE<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Grafick\u00e9 prekrytie (Overlay):<\/strong>\u00a0Krivka frekven\u010dnej odozvy (RTA alebo prenosov\u00e1 funkcia) zo syst\u00e9mu Smaart sa zobrazuje priamo \u201epod\u201d filtrami EQ na paneli procesora.<\/li>\n\n\n\n<li><strong>Rozhodovanie v re\u00e1lnom \u010dase:<\/strong>\u00a0V\u00fdsledok va\u0161ej korekcie (napr. odstr\u00e1nenie rezonancie pomocou filtra IIR) vid\u00edte na \u017eivom organizme bez toho, aby ste museli prep\u00edna\u0165 okn\u00e1 medzi programami.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1600\" src=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/IMG_6415.jpg\" alt=\"\" class=\"wp-image-12424\" srcset=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/IMG_6415.jpg 1200w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/IMG_6415-980x1307.jpg 980w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/IMG_6415-480x640.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1200px, 100vw\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pr\u00e1ca s r\u00f4znymi hodinami (SRC):<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vo festivalovom prostred\u00ed sa \u010dasto stret\u00e1vame s r\u00f4znymi vzorkovac\u00edmi frekvenciami (44,1, 48, 96,192 kHz). Funkcia&nbsp;<strong>R\u00fdchle SRC<\/strong>&nbsp;(Sample Rate Conversion), ktor\u00fd je pr\u00edtomn\u00fd v pokro\u010dil\u00fdch DSP jednotk\u00e1ch, ako s\u00fa DirectOut Prodigy alebo Maven, umo\u017e\u0148uje bezprobl\u00e9mov\u00e9 kombinovanie sign\u00e1lov z r\u00f4znych zdrojov s r\u00f4znymi hodinami bez digit\u00e1lnych praskl\u00edn (glitchov). Tak\u00e1to funkcia tie\u017e poskytuje slobodu pri konfigur\u00e1cii nez\u00e1visl\u00fdch siet\u00ed AoIP (napr. Dante) pri prepojen\u00ed siete zodpovednej za \u017eiv\u00e9 vyst\u00fapenie so sie\u0165ou zodpovednou za prenos (prenosov\u00fd voz\u00edk).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"920\" src=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/AES3-1.png\" alt=\"\" class=\"wp-image-12425\" srcset=\"https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/AES3-1.png 1080w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/AES3-1-980x835.png 980w, https:\/\/commercialaudio.pl\/wp-content\/uploads\/2026\/05\/AES3-1-480x409.png 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1080px, 100vw\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>3 Bezpe\u010dnos\u0165 nadov\u0161etko: Redundancia a \u010fal\u0161ie funkcie.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Najd\u00f4le\u017eitej\u0161ou funkciou po\u017ei\u010dovne je spo\u013eahlivos\u0165. V\u00fdpadok hlavn\u00e9ho sign\u00e1lu po\u010das koncertu je no\u010dnou morou. Tu je \u00faloha \u201eprep\u00edna\u010da\u201d k\u013e\u00fa\u010dov\u00e1.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zariadenia ako napr.&nbsp;<strong>XTA MX36<\/strong>&nbsp;boli navrhnut\u00e9 \u0161peci\u00e1lne na jednoduch\u00e9 prep\u00ednanie konzoly. Vo ve\u013ek\u00fdch syst\u00e9moch je v\u0161ak potrebn\u00e1 automatiz\u00e1cia tejto funkcie, aby syst\u00e9mov\u00fd in\u017einier alebo technik FOH nemusel myslie\u0165 na to, \u017ee mus\u00ed sledova\u0165 \u010fal\u0161ie veci.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Redundancia hod\u00edn:<\/strong>\u00a0Ak sa hodiny Dante zastavia, procesor by mal plynule prepn\u00fa\u0165 na intern\u00e9 hodiny alebo hodiny z in\u00e9ho zdroja; MADI, AES at\u010f. Sta\u010d\u00ed poskytn\u00fa\u0165 inform\u00e1ciu zodpovednej osobe a nesp\u00f4sobi\u0165 preru\u0161enie.<\/li>\n\n\n\n<li><strong>Automatick\u00e9 prep\u00ednanie (Failover):<\/strong>\u00a0Syst\u00e9m mus\u00ed rozpozna\u0165 ticho alebo digit\u00e1lnu chybu na vstupe A a okam\u017eite, bez zvukov\u00e9ho preru\u0161enia, prepn\u00fa\u0165 na vstup B.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Ktor\u00e9 z procesorov a mat\u00edc na trhu maj\u00fa teda mo\u017enos\u0165 skuto\u010dnej redundancie nap\u00e1jania, prep\u00ednania sign\u00e1lu, straty hod\u00edn a mo\u017enos\u0165 pracova\u0165 v zrkadlovom re\u017eime pre ve\u013ek\u00e9 \u017eiv\u00e9 a telev\u00edzne produkcie?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u0161etky uveden\u00e9 mo\u017enosti n\u00e1jdete v aplik\u00e1ci\u00e1ch Prodigy a Maven. DirectOut dokonca pri\u0161iel s vlastn\u00fdm sp\u00f4sobom prep\u00ednania \u201estraten\u00fdch\u201d sign\u00e1lov, ktor\u00fd si dal patentova\u0165 a nazval ho funkcia EARS (Enhanced Automatic Redundancy Switching), ktor\u00e1 dobre funguje ako funkcia hlavn\u00e9ho procesora, ale aj ako prep\u00edna\u010d prehr\u00e1vania.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Je to \u201ezmena hry\u201d v oblasti bezpe\u010dnosti. EARS nie je jednoduch\u00e9 prep\u00ednanie v pr\u00edpade absencie sign\u00e1lu. Je to pokro\u010dil\u00e1 logika, ktor\u00e1 dok\u00e1\u017ee analyzova\u0165&nbsp;<strong>pilotn\u00fd t\u00f3n<\/strong>, digit\u00e1lny stav (BLDS) alebo \u00farove\u0148 zvuku, aby sa vykonalo dokonal\u00e9, nepo\u010dute\u013en\u00e9 prepnutie na z\u00e1lo\u017en\u00fd zdroj. \u017diadne konkuren\u010dn\u00e9 zariadenie nepon\u00faka tak\u00fa pokro\u010dil\u00fa logiku sp\u00fa\u0161\u0165ania redundancie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Viac o samotnej funkcii EARS: <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Funkcia EARS v zariadeniach DirectOut\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/FP69duFz3og?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u010eal\u0161ie funkcie, ktor\u00e9 posil\u0148uj\u00fa bezpe\u010dnos\u0165 va\u0161ej \u017eivej prev\u00e1dzky:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Mana\u017e\u00e9ri vstupov:<\/strong>\u00a0Umo\u017e\u0148uj\u00fa vytv\u00e1ra\u0165 komplexn\u00e9 scen\u00e1re. Napr. \u201eAk vstup Dante A strat\u00ed takt, prepnite na MADI C, ale len ak m\u00e1 MADI C akt\u00edvny sign\u00e1l\u201d. Toto je \u00farove\u0148 kontroly, ktor\u00fa zna\u010dka XTA alebo Meyer Sound nedosahuje.<\/li>\n\n\n\n<li><strong>Re\u017eim zrkadla:<\/strong>\u00a0Mo\u017enos\u0165 \u00fapln\u00e9ho ovl\u00e1dania hlavnej a z\u00e1lo\u017enej jednotky ako jednej jednotky. V hlavnom procesore zmen\u00edte EQ a z\u00e1lo\u017en\u00fd procesor urob\u00ed to ist\u00e9 v re\u00e1lnom \u010dase.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Porovnanie obrov: Kto pon\u00faka najviac?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">K\u013e\u00fa\u010dov\u00e9 vlastnosti pr\u00edslu\u0161n\u00e9ho zariadenia:<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Funkcia<\/strong><\/td><td><strong>Galaxia Meyer<\/strong><\/td><td><strong>N\u00e1\u010drt Newton<\/strong><\/td><td><strong>L-Acoustics P1<\/strong><\/td><td><strong>XTA MX36<\/strong><\/td><td><strong>DirectOut Prodigy \/ Maven<\/strong><\/td><\/tr><tr><td><strong>Hlavn\u00fd cie\u013e<\/strong><\/td><td>Syst\u00e9my Meyer<\/td><td>Matica\/FPGA<\/td><td>Syst\u00e9my L-A<\/td><td>Prep\u00edna\u010d konzoly<\/td><td>Spr\u00e1va PA syst\u00e9mov od ak\u00e9hoko\u013evek v\u00fdrobcu \/ vysielania<\/td><\/tr><tr><td><strong>Modularita<\/strong><\/td><td>Nie<\/td><td>Obmedzen\u00e9<\/td><td>Nie<\/td><td>Nie<\/td><td>Pln\u00fd (I\/O karty)<\/td><\/tr><tr><td><strong>Mil\u00e1nsky servis<\/strong><\/td><td>\u00c1no<\/td><td>\u00c1no<\/td><td>\u00c1no<\/td><td>Nie<\/td><td>\u00c1no<\/td><\/tr><tr><td><strong>Po\u010det vstupov<\/strong><\/td><td>Priemer<\/td><td>Priemer<\/td><td>Mal\u00e9<\/td><td>3x konzola<\/td><td>Obrie (do 416 x 420)<\/td><\/tr><tr><td><strong>FIR filtre<\/strong><\/td><td>\u00c1no<\/td><td>\u00c1no (WFIR)<\/td><td>\u00c1no<\/td><td>\u00c1no<\/td><td>\u00c1no<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pre\u010do DirectOut prekon\u00e1va konkurenciu?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hoci Meyer Sound Galaxy, L-Acoustics P1 alebo Outline Newton s\u00fa vynikaj\u00face zariadenia vo svojich ekosyst\u00e9moch,&nbsp;<strong>DirectOut Prodigy.MP<\/strong>&nbsp;a jeho men\u0161\u00ed brat&nbsp;<strong>Maven<\/strong> stanovuje \u00faplne nov\u00fd \u0161tandard a st\u00e1va sa najfunk\u010dnej\u0161\u00edm n\u00e1strojom na svete.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ide o funkcie, ktor\u00e9 umiest\u0148uj\u00fa&nbsp;<strong>DirectOut<\/strong>&nbsp;na ved\u00facej poz\u00edcii, \u010d\u00edm prekon\u00e1va rie\u0161enia svojich konkurentov (Meyer, Outline, L-Acoustics, XTA):<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1. Bezkonkuren\u010dn\u00e1 modularita a form\u00e1ty<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Na rozdiel od uzavret\u00fdch architekt\u00far (napr. Galaxy alebo P1, kde s\u00fa porty vopred definovan\u00e9),&nbsp;<strong>Prodigy.MP<\/strong>&nbsp;je plne modul\u00e1rny.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Vymenite\u013en\u00e9 karty:<\/strong>\u00a0Jednotku m\u00f4\u017eete nakonfigurova\u0165 pre konkr\u00e9tnu \u00falohu - dnes potrebujete 64 kan\u00e1lov MADI a anal\u00f3gov\u00fdch, zajtra Dante a AES.<\/li>\n\n\n\n<li><strong>DUAL Sie\u0165ov\u00e9 karty:<\/strong>\u00a0Jedine\u010dn\u00e1 mo\u017enos\u0165 in\u0161tal\u00e1cie kariet, ktor\u00e9 podporuj\u00fa r\u00f4zne sie\u0165ov\u00e9 protokoly s\u00fa\u010dasne. V jednom po\u010d\u00edta\u010di m\u00f4\u017eete ma\u0165\u00a0<strong>Dante<\/strong>\u00a0i\u00a0<strong>Mil\u00e1no (AVB)<\/strong>, alebo dve nez\u00e1visl\u00e9 siete Dante, \u010d\u00edm sa vytvor\u00ed most medzi svetmi, ktor\u00e9 in\u00e9 procesory nem\u00f4\u017eu prepoji\u0165.<\/li>\n\n\n\n<li><strong>Globcon a AutoMix:\u00a0 <\/strong>Riadenie prostredn\u00edctvom softv\u00e9ru\u00a0<a href=\"https:\/\/www.directout.eu\/product\/globcon\/\" target=\"_blank\" rel=\"noopener\"><strong>Globcon<\/strong><\/a>\u00a0integruje ovl\u00e1danie viacer\u00fdch zariaden\u00ed r\u00f4znych zna\u010diek. Okrem toho je zabudovan\u00fd\u00a0<strong>AutoMix<\/strong>\u00a0v\u010faka \u010domu Prodigy alebo Maven dobre funguj\u00fa nielen na koncertoch, ale aj na firemn\u00fdch podujatiach a konferenci\u00e1ch, kde automaticky mixuj\u00fa panelov\u00e9 diskusie, \u010do je funkcia, ktor\u00fa v typick\u00fdch PA procesoroch ako Newton alebo Galaxy nen\u00e1jdete.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Zhrnutie<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pren\u00e1jomn\u00e1 spolo\u010dnos\u0165 potrebuje spracovate\u013ea, aby mohla pokojne spa\u0165. Zariadenia ako napr.&nbsp;<strong>Galaxia Meyer<\/strong>&nbsp;alebo&nbsp;<strong>L-Acoustics P1<\/strong>&nbsp;s\u00fa skvel\u00e9, ak pracujete v\u00fdlu\u010dne s reproduktormi jednej zna\u010dky a nem\u00e1te ve\u013ek\u00e9 o\u010dak\u00e1vania, pokia\u013e ide o r\u00f4zne zvukov\u00e9 form\u00e1ty, skuto\u010dn\u00fa redundanciu alebo automatiz\u00e1ciu funkci\u00ed, ako je strata sign\u00e1lu alebo taktovanie. Ako univerz\u00e1lny \u201emozog\u201d cel\u00e9ho syst\u00e9mu v\u0161ak podporuj\u00fa konverziu, zabezpe\u010denie na najvy\u0161\u0161ej \u00farovni a ak\u00fdko\u013evek zvukov\u00fd form\u00e1t,&nbsp;<strong>DirectOut Prodigy.MP alebo Maven<\/strong>&nbsp;je v s\u00fa\u010dasnosti bezkonkuren\u010dn\u00fdm rie\u0161en\u00edm na svetovom trhu. Potvrdzuje to aj skuto\u010dnos\u0165, \u017ee zariadenia zna\u010dky DirectOut pracuj\u00fa na ve\u013ek\u00fdch festivaloch s najlep\u0161\u00edmi v odbore.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Webin\u00e1r &quot;V\u0161etko, \u010do potrebujete vedie\u0165 o zariadeniach DirectOut&quot;\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/mfreZodkwCI?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>","protected":false},"excerpt":{"rendered":"<p>W dynamicznym \u015bwiecie realizacji d\u017awi\u0119ku, gdzie aktualnie mamy mnogo\u015b\u0107 standard\u00f3w cyfrowych, wymagania artyst\u00f3w i in\u017cynier\u00f3w systemowych rosn\u0105 z ka\u017cd\u0105 tras\u0105 koncertow\u0105, firma rentalowa musi odpowiedzie\u0107 sobie na kilka niezwykle wa\u017cnych pyta\u0144:\u00a0&#8222;Jaki wybra\u0107 procesor DSP?&#8221;, &#8222;Jaka jest najlepsza matryca audio?&#8221;, &#8222;Kt\u00f3ry konwerter audio jest najbardziej wszechstronny?&#8221;, &#8222;Czy mo\u017cna mie\u0107 najlepszy procesor dsp, matryce i konwerter audio [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":12426,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-12421","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiedza-studio-broadcast-live-instal"],"acf":[],"_links":{"self":[{"href":"https:\/\/commercialaudio.pl\/sk\/wp-json\/wp\/v2\/posts\/12421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commercialaudio.pl\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/commercialaudio.pl\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/commercialaudio.pl\/sk\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/commercialaudio.pl\/sk\/wp-json\/wp\/v2\/comments?post=12421"}],"version-history":[{"count":2,"href":"https:\/\/commercialaudio.pl\/sk\/wp-json\/wp\/v2\/posts\/12421\/revisions"}],"predecessor-version":[{"id":12428,"href":"https:\/\/commercialaudio.pl\/sk\/wp-json\/wp\/v2\/posts\/12421\/revisions\/12428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/commercialaudio.pl\/sk\/wp-json\/wp\/v2\/media\/12426"}],"wp:attachment":[{"href":"https:\/\/commercialaudio.pl\/sk\/wp-json\/wp\/v2\/media?parent=12421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/commercialaudio.pl\/sk\/wp-json\/wp\/v2\/categories?post=12421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/commercialaudio.pl\/sk\/wp-json\/wp\/v2\/tags?post=12421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}